Peerless Music is proud to be an Australian dealer for Isle Of Tone, and the exclusive Australian dealer for the Haze 67 Fuzz.
Isle Of Tone – True holy grail tone, made by hand in Salzburg, Austria using only premium and rare components.
HAZE 67 FUZZ MINI – Premium Package
The Haze 67 is Isle Of Tone’s tribute to to the Fuzz Face and Tonebender.
- Hand made turret board, each hole screwed and stamped by hand
- Cloth wired
- NOS carbon comp resistors
- Rare NOS Mullard OC84 transistors
- Mundorf and NOS Siemens cap
- Hand aged Carling switch
- Hand made knobs
- Neutrik jacks
- Enclosures are painted, screen printed and aged by hand
- Even the battery contact is completely hand made!
- Hand made, see through plexi baseplate (standard base plate also included)
- Boxes are made in the oldest cardboard factory in Salzburg, screen printed by an artist with over 25 years screen printing experience
- Presented in a hand sewn and screen printed bag
- Includes a hand made, fair trade tshirt, screen printed by hand (of course!)
Peerless Music is extremely proud to be an authorized Australian dealer for Deep Trip Pedals from Brazil! THE BOG In stock NOW!! That’s right, the 60’s pedal looked like some alien spaceship and was made famous by the great Jimi Hendrix! That red (or black or gray or blue) flying...
Peerless Music is extremely proud to be an authorized dealer for Deep Trip Pedals from Brazil. THE KRYPTONE There’s a certain quality about some 60’s and early 70’s guitar tones that seem to be rather exclusive of that psychadelic era. If you hear Mick Ronson on Bowie’s Ziggy Stardust era...
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Peerless Music is EXTREMELY proud to be the Authorized Australian Dealer for Idiotbox Effects, direct from Texas, USA! IDIOTBOX EFFECTS – BLASTERZOID FUZZ The Blasteroid Fuzz is a straight clone of the elusive Earth Sounds Research Graphic Fuzz. Not many of the real deal working out in the wild so I’m stoked...
Peerless Music is extremely proud to be an authorised dealer for Deep Trip Pedals from Brazil! THE HELLBENDER The Hellbender was reviewed by Michael Molenda and got the Guitar Player “Editor’s Pick Award” in the March/2016 issue! Late sixties into seventies, fuzz was all over, but rock n’ roll needed...